Fortunately, in Toronto, Ubers are like ants.
Mondays and Tuesdays are usually tricky and of course those were the two days I had. The city is very spread out and I had a lot of ground to cover while maneuvering museum hours. With some excellent suggestions from my Canadian artist friend Mariko, who visits Toronto regularly, I plotted out my days carefully. I got an old fashioned paper map from the hotel and plotted out the two and a half days that I would have exploring on my own. I had never been to Toronto before but, having enjoyed everywhere else I’d been to in Canada, I was excited to explore. To make actions within the world of health, tracing acts of mercy, pity and empathy from the scenes of orphans, animals, children, wounded soldiers and hospital staff of the first World War.I got a chance to go to Toronto right before the Coronavirus outbreak, so I now feel especially fortunate to have been able to see so much. Using lines of her poems and poses from the paintings, Angela will examine what it means The paintings influenced her deeply and were cherished by staff. Angela was a medical student and junior doctor at the Middlesex She was also there when the country’s first Aids ward was set up. Performance based on her response to the four Frederick Cayley Robinson Acts of Mercy murals (1915 - 1920) from the Middlesex Hospital, where Elizabeth Garrett Anderson, the first woman doctor in Britain studied, before being petitioned to leave by the male medical students. Part 2: Bareback Museum: Life Drawing Performance Workshop Acts of MercyĪrtist and post-doctoral researcher Angela Hodgson-Teall will offer a life drawing workshop and
MOCA MUSEUM LIBRARY ARCHIVE
Juliet led ‘Social Dreaming the Tavistock Institute of Human Relations’ Archive’ events at the Wellcome Library Reading Room and for this performance she will also consider relevant projects from the Institute’s archive in the support and empowerment of participants with HIV and Aids the online research and self-help exchange (SEAHORSE, 1996) and the ‘London Lighthouse’ report. The workshop will be followed by a ‘reflective layer’ led by Juliet Scott (Tavistock Institute of Human Relations), weaving together the audiences' collective thoughts and emotions and learning from the performance. Audiences will be invited to join in and draw, with materials provided. Conversations including unprotected sex, use of grindr, PEP/ PrEP, the changing perspectives about unprotected sex from Bareback communities and groups with their own philosophies of change are supported through the process of life drawing and live art performance in a museological environment.ĭuring the workshop, artist Angela Hodgson-Teall will ‘draw on the nature of empathy’ in times of crisis (the subject of her PhD, completed in 2014) and will perform with live artist and model, Miles Coote, who will recite the performance text ‘Can I make a Painting if I am too ill Mrs Aids’.
It subverts cleansed and sanitised spaces and creates transparency to discuss ‘Bareback’ sex (men who have unprotected sex with men) in institutions where there is taboo and stigmatisation. An agency is created about unprotected sex using queer methodologies, live art performance and the notion of a life drawing class. The Bareback Museum is an informative life drawing performance workshop which explores the roles of exhibitionism, sexual health and intimacy. Part 1: Bareback Museum: Life Drawing Performance Workshop Can I make a Painting if I am too ill Mrs Aids? An exhibition of their artworks and new artworks created by the audience will be displayed for the duration of the weekend. Miles Coote and Doctor Angela Hodgson-Teall will present part one and part two of a three part work in progress, developing their ideas of a Bareback Museum and communities of health. The Bareback Museum explores intimacy, sexual health and the management of change for LGBTQ communities and institutions dealing with sexual health decisions about unprotected sex.
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